Douglas Kearney’s collection of writing on poetics and performativity, Mess and Mess and (Noemi Press, 2015), was a Small Press Distribution Handpicked Selection that Publisher’s Weekly called “an extraordinary book.” His third poetry collection, Patter (Red Hen Press, 2014) examines miscarriage, infertility, and parenthood and was a finalist for the California Book Award in Poetry. Cultural critic Greg Tate remarked that Kearney’s second book, National Poetry Series selection, The Black Automaton (Fence Books, 2009), “flows from a consideration of urban speech, negro spontaneity and book learning.” Someone Took They Tongues. (Subito Press 2016) collects several of his libretti, including one written in a counterfeit Afro-diasporic language. He was the guest editor for 2015’s Best American Experimental Writing (Wesleyan). He has received a Whiting Writer’s Award, residencies/fellowships from Cave Canem, The Rauschenberg Foundation, and others. His work has appeared in a number of journals, including Poetry, nocturnes, Pleiades, Iowa Review, Boston Review, and Indiana Review; and anthologies, including Best American Poetry, Best American Experimental Writing, Wide Awake: Poets of Los Angeles and Beyond, The Breakbeat Poets, and What I Say: Innovative Poetry by Black Poets in America. Raised in Altadena, CA, he lives with his family in California’s Santa Clarita Valley. He teaches at CalArts.